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Thursday, November 30th, 2006
Morning Light, 48H x 36W x 2D inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Post dated note: Morning Light was accepted into the 2007 American Juried Art Salon’s Spring/Summer Juried Exhibition online, and Studio 2600 Light, Shine and Sparkle Dec. 2007 – Jan. 2008.
Now sold but can be replicated in same spirit as original. Please allow at least 14 days to recreate before shipping.
Moon Over Cypress
Wednesday, September 27th, 2006
Moon Over Cypress, 14H x 11W inches oil pastels on paper, framed with 3-inch white double mat and 26H x 22W inches white wood frame with crackle finish.
This turned out differently than what I originally envisioned — it’s much better because the paper shows through like stars and reminds me of time lapse photography. It is a rare piece in this series that came together quickly and will not be reworked.
Post dated note: accepted into Studio 2600’s Holiday Light and Sparkle Exhibition Nov. 2007-Jan. 2008. Now sold.
Moon Over Myrtle finished
Tuesday, September 26th, 2006
Moon Over Myrtle, morning moon over Crepe Myrtle tree, Lewisville, Texas, 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This is another oil pastel drawing that went through a few transformations while posting on a popular interactive artist’s website, wetcanvas.com. It was noted after posting this stage that the sky looked more like water, so I played around with ideas that might make it look less so using computer alterations first, a new tool for me, then altering the drawing itself.
Moon Over Myrtle, stages
Sunday, September 24th, 2006
Work in progress online with other artist’s comment exchanges.. While trying to change the look of water where sky was intended, at one point it looked like there was a shark shape, so with the computer I added it for fun. Continually scraping away areas then rebuilding and trying ways to give it more depth, then for some reason Cezanne came to mind so I looked him up to learn more about life and work. I learned more about Cubist ideas by applying them than reading about them years ago.
Wild Canada: Stony Swamp Trail
Tuesday, August 1st, 2006
Stony Swamp Trail, Ottawa, Ontario Canada, Paper Places series, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. The series inspired the accompanying poem:
It remains
when things are gone
and people passed
and roads
and paths
and places
we belong
to the essence.
Intuitive response to subject matter impart individual character to each piece, so styles are deliberately different.
Post-dated note: Stony Swamp Trail was accepted for The Artist Showplace Gallery’s Annual Juried Exhibition, February – March 2007.
Coconut Palm, Costa Rica
Sunday, July 23rd, 2006
Coconut Palm, Costa Rica, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
January Thaw
Thursday, June 15th, 2006
January Thaw, 14H x 11W inches oil pastels, white double mat, brass title plate, 22H x 26W inches wide white frame with white crackle finish.
Willow branches, welcome bits of color during the January thaw, a seasonal expectation in eastern Ontario, when temperatures hover around 0*C. After a period of 1-2 weeks temperatures can dip to -40*C, and the most intense, unpredictable part of winter begins.
The Evolution of January Thaw – a painting is more than the sum of its parts. It transformed dramatically while conversing with other Artists and their critiques on a popular online Artists’ website.
“When I am painting I have no knowledge of what I am doing. Only after a moment of ‘returning consciousness’ do I become aware of what I have been doing. Then, however, I have no hesitation about making changes, or destroying images, because the painting has a life of its own. My mission is to bring forth this life”. Jackson Pollock
Lake Cote Cloud Forest Reserve, Costa Rica
Sunday, May 21st, 2006
Lake Cote Cloud Forest Reserve, Costa Rica, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This is a perfect example of how each piece in the Paper Places series for unique style. I follow intuitively responding to what happens on the page as the work unfolds.
Calgary in September
Thursday, May 18th, 2006
Calgary in September, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. Part of the Paper Places series.
Post-dated note: Won Second Place in the Paintings category in Plano Art Association’s annual One-Two-Five Show Exhibition in Plano, Texas April 11 – May 8, 2007. I think of pastels to be drawings because no brush is involved, but they are commonly categorized in competitions as paintings…heck, if it wins a prize, does it really matter?
Silent Witness
Friday, April 21st, 2006
Silent Witness, Juniper at Grand Canyon, Arizona USA, 14H x 11W inches oil pastels on paper, Paper Places series, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.