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Sunday, June 10th, 2007
Polypore Fungi, work in progress, 59 H x 41 W x 2 D, acrylics on canvas. Here is the painting after a few more hours of work.
Polypore Fungi, work in progress
Saturday, June 9th, 2007
Polypore Fungi, work in progress, 59 H x 41 W x 2 D, acrylics on canvas
Studying shades of dark and light are the basics of any Artwork done with color, and it’s good to practice “real” drawing every so often, paying attention to lines, shapes, spaces…but enough of pencil drawings for a while. I’m craving color and space once more- ready to paint again, but starting this so close to the date we leave for holidays this coming Friday. My hope is to call it finished while it’s still at the open and lively stage, before over-working it. Here is the painting after about two hours.
Aspen, Banff National Park
Thursday, March 22nd, 2007
“Northern Delights 01, Aspen at a protected Bison reserve, Banff National Park, Alberta Canada – 14H x 11W inches oil pastels and water-wash pencils on paper, white double mat, 22H x 26W inches white frame with white crackle finish
Redbuds 02
Saturday, March 17th, 2007
Redbuds 02, misty morning in Coppell, TX, 14H x 11W inches oil pastels, graphite, watercolor pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This drawing was an experiment with oil pastels and water-soluble graphite to see if the two could cooperate in the same drawing. Conclusion: that’s up to the artist! It was about 8 A.M… the sun barely shone through the thick mist this early Spring morning. The surrounding forest was grey, and the brilliant pink blossoms of the Redbud bush pushed through it all, with patches of green grass starting to grow in the field.
March Winds
Thursday, March 15th, 2007
March Winds, ode to Jackson Pollock via oil pastels. 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
“… the painting has a life of its own. My mission is to bring forth this life”. Jackson Pollock
Styles are an intuitive response to place, emotional memories, subject, media, etc. When March Winds was finished it reminded me of some of Jackson Pollock’s work, which I never really understood until this piece unfolded in a similar manner.
Showcased in Grand Prairie Arts Council (GPAC) Open Juried Art Show and Sale September/October, 2007. Grand Prairie Memorial Library 901 Conover Drive, Grand Prairie, Texas.
Dancing With Trees 01
Tuesday, March 13th, 2007
Dancing With Trees 01, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Pinion at Sunset
Sunday, March 11th, 2007
Pinion at Sunset, Coppell, TX USA, 14H x 11W inches oil pastels on paper, has 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Linden Sunset
Monday, March 5th, 2007
Linden Sunset, Springtime in Coppell, Texas. Photography available as 11H x 14W inches print, 16H x 20W white double mat
It wasn’t until reviewing all the photos I took this evening that I noticed a tiny surprise on one of the Linden flower buds. Right place, right time. Thank you Universe!
Post-dated note: Linden Sunset is accepted for the Artjury.com 2007 Fall/Winter Juried Online Exhibition.
$50.00 
First Snow, started
Monday, January 15th, 2007
First Snow, 36H x 24W inches acrylics and crackle medium on canvas, work in progress
First Snow has many layers and blobs of paint. A damp cloth dipped in white was wiped lightly across the textured surface to create the effect of snow powder. Crackle medium also works well to help with the impression of snowfall. The scene is of tall Spruce trees in Calgary, Alberta where, on September 1st, the day I was to return to Dallas I awoke to a gentle snowfall and powder on the trees.
Sun Shower 01
Friday, December 1st, 2006
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Sun Shower 01, 85H x 45W x 2D inches acrylics on canvas, used watercolors resist medium, narrow dark wood frame. (now sold)
This painting went through an interesting work process, made connections with some of my existing painting methods, and shed light on new ones.
1) Sun Shower detail – masking medium, usually used with watercolors to keep areas white, was dotted with a toothpick all over where raindrops would be. 2) about 1.5 hours after starting. 3) after about 5 hours of work. 4) after about seven days.
The tall Ponderosa Pine is in our oldest son’s front yard in Ottawa, Ontario. A small covered balcony overlooks the yard and the tree dominates, providing lots of shade there. Last summer while sitting on the balcony, as it poured rain the sun kept shining. The street beyond sparkled, and branches were heavy with raindrops. It was an hour of incredible beauty that inspired this painting.
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