Spring
Next Entries »Redbuds 02
Saturday, March 17th, 2007
Redbuds 02, misty morning in Coppell, TX, 14H x 11W inches oil pastels, graphite, watercolor pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This drawing was an experiment with oil pastels and water-soluble graphite to see if the two could cooperate in the same drawing. Conclusion: that’s up to the artist! It was about 8 A.M… the sun barely shone through the thick mist this early Spring morning. The surrounding forest was grey, and the brilliant pink blossoms of the Redbud bush pushed through it all, with patches of green grass starting to grow in the field.
March Winds
Thursday, March 15th, 2007
March Winds, ode to Jackson Pollock via oil pastels. 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
“… the painting has a life of its own. My mission is to bring forth this life”. Jackson Pollock
Styles are an intuitive response to place, emotional memories, subject, media, etc. When March Winds was finished it reminded me of some of Jackson Pollock’s work, which I never really understood until this piece unfolded in a similar manner.
Showcased in Grand Prairie Arts Council (GPAC) Open Juried Art Show and Sale September/October, 2007. Grand Prairie Memorial Library 901 Conover Drive, Grand Prairie, Texas.
Linden Sunset
Monday, March 5th, 2007
Linden Sunset, Springtime in Coppell, Texas. Photography available as 11H x 14W inches print, 16H x 20W white double mat
It wasn’t until reviewing all the photos I took this evening that I noticed a tiny surprise on one of the Linden flower buds. Right place, right time. Thank you Universe!
Post-dated note: Linden Sunset is accepted for the Artjury.com 2007 Fall/Winter Juried Online Exhibition.
$50.00 
Tennessee Poppies
Thursday, September 28th, 2006
Tennessee Poppies along Hwy 40 Tennessee, 11H x 14W inches oil pastels on paper, 3 inch white double mat and 26H x 22W inch white wood frame with crackle finish. Sold.
Texas Paintbrush
Saturday, May 6th, 2006
Texas Paintbrush, Fort Worth, Texas, 14H x 11W inches oil pastels on paper, framed with 3 inch white double mat and white wood frame with crackle finish, total size 26H x 22W inches. Impressionistic style using soft, blended technique with the pastels, portrays the feeling of walking in a dry sandy field on a warm Spring day in northern Texas. Sold.
Southern Spring – Scurvy Pea
Friday, May 5th, 2006
Southern Spring – Scurvy Peas, Grapevine, Texas USA. During April, chubby spikes of deep red and red-brown clover-like herbs called Scurvy Pea sweep across dry fallow fields and roadsides in the southern United States (Genus Psoralia cuspidata), 14H x 11W inches oil pastels on paper, framed with 3 inch white double mat and white wood frame with crackle finish, total size 26H x 22W inches. 3 days of sculpting; oil pastels were applied, removed, reapplied and reworked. Sold.
Bluebonnets – Four Abstracts
Thursday, March 23rd, 2006
Bluebonnets Abstracts, set of four 3 x 4 inches oil pastels studies on paper.
These studies are based on Springtime scenery along Beltline Road in Irving, Texas three years ago. The amazing fields of Bluebonnets are now replaced by a major housing and commercial development. I can say, ‘I was there when…’.
Bluebonnets 03
Wednesday, March 22nd, 2006
Texas Bluebonnets, 16H x 12W inches dry pastels on charcoal paper, unframed, off-white mat.
Bluebonnets Abstract
Monday, March 20th, 2006
Bluebonnets Abstract, 36H x 24W inches acrylics on canvas, trim frame. I’m trying a new angle on the subject, and kept my glasses off for this one so I can see abstract better!
Bluebonnets, Marble Falls, Texas
Saturday, March 18th, 2006
Bluebonnets, Marble Falls, Texas, 16 x 20 inches acrylics on canvas, framed. Donated to Engineers Without Borders.
One of the unexpected experiences with this painting was adapting to a small-sized, slippery store-bought canvas, whereas I’m most comfortable painting on large home-built frames at least 3 ft. wide with stretched with canvas that has more texture. Trying to find the right colors of blues and greens was also a bit of a challenge. The painting has been reworked many times; I scratched and scrubbed off days of work and began again many times. For that reason, it took over two years to complete. A few images of earlier stages:
