When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

series

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Calgary in September

Thursday, May 18th, 2006


 

Calgary In September 14 x 11 inches oil pastels on paper, framed size 26 x 22 inches
Calgary in September, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. Part of the Paper Places series.

Post-dated note: Won Second Place in the Paintings category in Plano Art Association’s annual One-Two-Five Show Exhibition in Plano, Texas April 11 – May 8, 2007. I think of pastels to be drawings because no brush is involved, but they are commonly categorized in competitions as paintings…heck, if it wins a prize, does it really matter?

Southern Utah

Tuesday, May 2nd, 2006


 

Red Rocks in Southern Utah, 14 x 11 inches oil pastels on paper
Red Rocks in Southern Utah, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Part of the Paper Places series. I find driving anywhere preferable to flying because of scenery like the landscape in Southern Utah. The colors and patterns are stunning!

Silent Witness

Friday, April 21st, 2006


 

Silent Witness, Juniper at Grand Canyon, Arizona USA, 14H x 11W inches oil pastels on paper
Silent Witness, Juniper at Grand Canyon, Arizona USA, 14H x 11W inches oil pastels on paper, Paper Places series, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Eneggma

Tuesday, April 11th, 2006


 

Eneggma 01   Eneggma 02

Eneggma 03   Eneggma 04

Eneggma, set of 4H x 4W dry pastels on paper, part of sketches prepared for “The Perfection of Small Birds” by American Poet Hannah Gerber. Frames use crackle glaze and off-white acrylics over robin-egg blue. Sold.

Dust Bath

Monday, April 10th, 2006


 
Dust Bath, 4H x 6W inches dry pastels on charcoal paper

Dust Bath, 4H x 6W inches dry pastels on charcoal paper, for Hannah Gerber’s The Perfection of Small Birds

Chickadee 02

Sunday, April 9th, 2006


 
Chickadee 02, 4H x 6W inches charcoal on paper
Chickadee 02, 4H x 6W inches charcoal on paper, another sketch for Hannah Gerber’s The Perfection of Small Birds

Chickadee 01

Saturday, April 8th, 2006


 
Chickadee 01, 8 x 10 inches charcoal on paper

Chickadee 01, 8 x 10 inches charcoal on paper, for The Perfection of Small Birds, by Poet Hannah Gerber

Hannah was only looking for cover Art, but when commissioned to do only one design a lot of preliminary sketches are presented also, partly as a way of warming up but also to give clients a selection. As a result, extras were also used on inside pages.

Dusk

Friday, April 7th, 2006


 

Dusk, singing sparrows, 8 x 10 inch graphite and dry pastels on charcoal paper, cards available only

Dusk, 8H x 10W inches dry pastels, graphite on charcoal paper.  A few sketches for Poet Hannah Gerber’s book The Perfection of Small Birds will be posted this week. This one was inspired by “Dawn”, a recent acrylic painting.

Ancient Mayan Bowl Chair

Thursday, March 30th, 2006


 

Mayan Bowl Replica Chair, 29H x 29W x 29D inches mixed media furniture
Mayan Bowl Replica Chair, 29H x 29W x 29D inches durable, functional, comfortable refurbished vintage 1960’s plastic lawn chair, mixed media: woven canvas strips, plaster cured and painted, varnish and wax.

This replica of an ancient Mayan artifact re-utilizes a vintage plastic lawn chair that was considered Art in its own day. The refurbished chair was created by a process of weaving canvas strips and white glue paper-mache style over the entire plastic top and bottom, layering wall plaster sanded in between coats, acrylics paint, varnish, graphite, marker, more varnish, then waxed for durability. Three more chairs are yet to be created with historic Art themes from other cultures.

The original bowl design is from the Late Classic Period of Mayan history, 600 – 900 A.D. Common Era, portraying two water Gods witnessing the birth of the all-important Maize God who emerges from a turtle, symbol of the earth and origins thereof. Customarily, hieroglyphs written along the top rim show the bowl-owner’s name and what the bowl was used for.
Inspirational resource: Maya, Divine Kings of the Rainforest edited by Nikolai Grube ISBN 3-8290-4150-0

  Mayan bowl Chair process

Post-dated notes: Accepted into Grand Prairie Arts Council Juried Exhibition and Sale Sept./Oct. 2007, and won Second Place cash award, 3D Category. Also accepted into Artjury.com’s 2007 Fall/Winter Juried Online Exhibition.

Pebbles Mosaics, variations

Wednesday, January 25th, 2006


 

  Pebbles Mosaic 04 - Set of four 8 x 10 x 1 inch hand-made tiles on wrapped canvas.  Acrylics, varnish,  sides painted to continue mosaic look, frames unnecessary, many hanging orientations possible   Pebbles Mosaic 03 - Set of four 8 x 10 x 1 inch hand-made tiles on wrapped canvas.  Acrylics, varnish,  sides painted to continue mosaic look, frames unnecessary, many hanging orientations possible    
           
  Pebbles Mosaic 02 - Set of four 8 x 10 x 1 inch hand-made tiles on wrapped canvas.  Acrylics, varnish,  sides painted to continue mosaic look, frames unnecessary, many hanging orientations possible   Pebbles Mosaic 01 - Set of four 8 x 10 x 1 inch hand-made tiles on wrapped canvas.  Acrylics, varnish,  sides painted to continue mosaic look, frames unnecessary, many hanging orientations possible    
           
  Zen Garden 06 - Pebbles Mosaics.        
  Set of four 8 x 10 x 1 inches hand-made tiles on canvas.         
  $550.00   Buy Now Using PayPal    

Zen Garden 06, Pebbles, a very versatile set, these four 8 x 10 mosaics
The 4 pieces can be arranged in a number of ways: vertically, horizontally, in a square, and changed for a new look, next image. Each piece is different and can be placed in any order to create a pattern or pathway of “pebbles”.

 
Pebbles Mosaics, arrangements

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