When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Oregon

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Smith Rock State Park, Oregon

Tuesday, August 11th, 2020


 

Smith Rock State Park OR, 16H x 20W inches soft pastels on paper

Smith Rock State Park (Oregon), 16H x 20W inches soft pastels on paper

Mt. Hood, Oregon

Wednesday, July 22nd, 2020


 

Mt. Hood OR, approx. 10H x 14W inches crop from a larger piece, soft pastels on paper
Mt. Hood OR, approx. 10H x 14W inches soft pastels on paper. Framed size 16H x 20W inches, white wood frame with crackle finish.

Driving to the Coast

Wednesday, July 15th, 2020


 

Driving to the Coast, 18H x 24W inches dry pastels on paper
Driving to the Coast, 18H x 24W inches dry pastels on paper

Foxglove

Sunday, February 9th, 2020


 
Foxglove, 18H x 24W inches soft pastels on paper - NA
Foxglove, 18H x 24W inches soft pastels on paper – not available – not happy with this so I ripped it up, but will try again in the future.

Fern Song

Tuesday, February 4th, 2020


 

Fern Song, 12 x 12 inches acrylics on canvas

Fern Song, 12 x 12 inches acrylics on canvas

In Full Bloom, Feb. - March 2020, J. Mane Gallery
Honorable Mention, In Full Bloom online exhibition February 7 –  March 7, 2020, J. Mane Gallery

Pacific NW Sunset

Thursday, January 30th, 2020


 

Pacific NW Sunset, 18H x 24W inches soft pastels on 140 lb cold pressed
Pacific NW Sunset, 18H x 24W inches soft pastels on paper

I’ve never really been successful with soft pastels. They are ultra-fussy, ultra-messy, particularly once you start adding dark colors, which leaves you feeling ultra-discouraged at the end of the day.

I’m up for the challenge though, with the additional provocation to use black, which I never use, preferring usually to use purple or blue or other color combos instead. Using black is an offense that will be fun to defy, at least that’s the intention. Black will help the other colors sing with contrast, assuming I’m able to prevent too much accidental blending. Workable fixative is very helpful.

The 18 x 24 inch pad of 140 lb cold pressed no-name watercolor paper that I ordered online does not have the tooth or qualities I like as a painting surface, but is working nicely for soft pastels. There are 6 more pages left in the pad for this pastel series.

Blue Lupine

Sunday, November 17th, 2019

Blue Lupine, 24H x 36W inches acrylics on canvas
Blue Lupine, 24H x 36W inches acrylics on canvas, frame unnecessary.

Gale Creek

Wednesday, June 12th, 2019


 

Gale Creek, 12 x 12 inches acrylics on canvas
Gale Creek, 12 x 12 inches acrylics on canvas, frame unnecessary. 2nd entry for the Square Foot Show, Bismark, ND August 6th-30th, 2019

Double Daisies

Wednesday, June 5th, 2019


 

Double Daisies, 12 x 12 acrylics on canvas
Double Daisies, 12 x 12 acrylics on canvas, frame unnecessary. Entry for the Square Foot show in Bismark, ND in August. There is still another month to paint more to choose 2 entries from.

Artavita Contest finalist

Saturday, June 1st, 2019


 

Winter Forest: Dogwood, 14H x 20W watercolors on cold pressed

Artavita Contest 32 Finalist CertificationThis piece was a finalist in the Artavita competition for the front and back covers of the International Contemporary Masters Volume 13, June 2019.

Winter Forest: Dogwood, 14H x 20W inches watercolors on 140 lb cold pressed, 21H x 26″ framed size. In the beautiful, organized chaos of a winter forest in Pacific Northwest, rain brings out the subtleties, in particular the red branches of wild Dogwood complimented by the surreal green colors of moss on every tree.

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