Mexico

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Egrets Roosting in Jacaranda

Friday, September 11th, 2020

Egrets Roosting in Jacaranda trees, Ajijic, Mexico, 18H x 24W inches soft pastels on paper

Flamboyant Tree flowers and seed pods

Thursday, December 6th, 2012

Flamboyant Tree Flowers and Seed Pods – Chapala, Mexico – 9H x 12W inches oil pastels on paper, white mat

True colors

Thursday, May 26th, 2011

Tree fern shadows cast across garden rocks in Chapala, Mexico

“Your true colors are beautiful” – Cindy Lauper

I’ve been in Mexico for the past two weeks, so I’ll be contributing more images to the True Colors website, created in 2007 as tribute to the colorful landscapes and cultures here. Developed separately from the other chapters of nikkiartwork.com, trucolors.info is considered as one complete and independent project. I’ve posted a few more of the recent pieces in this series on nikkiphotography.com

Interactive

Saturday, April 25th, 2009

At the end of each month Oxide Gallery and Carino’s Italian Restaurant in Denton present an evening of Art, Dinner and Wine Tasting. Offering a new menu each month, an amazing four course dinner is complete with wine pairings for only $29.95. The room is separate from the rest of the restaurant, so offers an intimate setting where, at some point during the evening, the artist discusses and answers questions about their work. A new artist’s work is featured each month, and on Tuesday it’s my turn. Although this is a new idea it has been well received. Reservations are required, but April 28th is now booked solid, so the Dinner and Show is extended to take place on April 29th as well.

The Interaction with Flowering Shavingbrush Tree

I reapplied masking fluid to the painting in order to continue working on it but still preserve all the great marks revealed after removing the first application. At Carino’s on Tuesday others will participate and be a part of helping this painting come to life by removing the dried rubberized medium from the painting, and help unveil the finished piece.

Update, May 1st: Pulling off the rubberized medium was a hit! A few people kept going back to pull more off. If gallery owners are open to it, I’d like to continue doing this at future opening receptions too. Here are some photos of the fun.

“One last peel before I go…”

The perfect place for masking fluid

Monday, April 13th, 2009

Flowering Shavingbrush Tree, April 11th above: details of 85H x 45W x 3D inches acrylics on canvas,wrapped sides painted, trim frame. Still in progress, but the rubberized mask was removed in order to see exactly what stage things are at before continuing. The painting overall still has a few areas to open up; very little work tomorrow should finish it. Shortly after starting the painting I turned it upside down and applied the masking fluid with a toothpick and let it drip. Gravity can be used as a tool!

April 13th, Left: The top third will still leave as much of the primed canvas as possible; a gradation of unfinished space toward more finished at the bottom. I was hoping to leave it as seen here giving an airy illusion, but it does need to develop along with the rest of it…still not as much, but enough to show the main flower better. This means I’ll be once again dripping masking fluid on the piece upside down to preserve the interesting marks that occurred from the 1st application, and also create some new ones with any further work. For previous posts on earliest progress of this painting click here.

The Shavingbrush Tree

Thursday, April 9th, 2009

The Shavingbrush Tree in front of a flowering Jacaranda tree seen in Chapala, Mexico, 85H x 45W x 3D inches acrylics on canvas, wrapped sides painted, work in progress. Thumbnail, left: started March 31st

The last painting helped me more aware of how powerful contrasts of light and dark can be. Here, areas of primer will be purposely be left unpainted. I was going to just carefully avoid the white areas and paint around them, but during the second phase I dripped some of the masking fluid to block out a few details in the main flowers. Already it is a very different painting process-wise; right from the start it has felt like a complicated puzzle; that stage doesn’t usually appear until near finishing. The first stages of painting are usually the most liberating but since I never pencil in an outline before painting, I fought a lazy brain right from the start that did not want to map out the placement… which doesn’t make sense because I really really want to paint this one! These are not typically the colors I use either, so there are a few intimidating factors. I hope to maintain fresh, bright Easter colors — partly because this is when they bloom in Mexico. Painting is much like a runner hitting “the wall” but persevering and breaking through it…however in painting there are many walls to conquer.

Oxide Gallery

There are a few pieces hanging at Oxide Gallery, Denton, TX for the next three months: Rocky Mountain Vista, Zen Garden #6, and all four recent encaustic works.

City Streets

Friday, October 5th, 2007

Three Photos will be on exhibit and available for sale at the City Streets Exhibition at Studio 333, Sausalito, California October 25 – December 6, 2007

Burnt Offerings 01 – From Burnt Offerings the photographic series consisting of ten images of the devastating results after an explosion that rocked downtown Dallas on July 25, 2007, in an acetylene and propane warehouse. In the distance: the famous Reunion Tower.

Grey Phase – Dallas, Texas. With a history and reputation for competing with Houston to attract visitors to stay in a beautiful, safe, and interesting downtown area, Dallas makes room for new buildings and upgrades existing ones. This photo: Demolition on the corner of Commerce and S. St. Paul Street, across from the infamous Dallas Grand Hotel which has been vacant and in a serious state of disrepair for many years, now planned to also receive extensive renovations.

True Colors 63 – An original photo of one of the digitally manipulated images in the True Colors website series. A cow wanders the streets of San Antonio, Mexico. Nonchalantly meandering through the neighborhood, tether rope dragging on the road beside her, it’s as if this cow has simply left for a short walk and no one, even the owner, ought to worry about her finding her way home.

True Colors photo – exhibition acceptance

Saturday, June 2nd, 2007

One of the photographs from the series True Colors is accepted into the exhibition Visual Rhythms / Ritmos Visuales, an all-media juried exhibition that embraces the flavors and rhythms of Latin American influenced art and cultures] at the Target Gallery in Alexandria, Virginia, scheduled July 28 – September 3, 2007.
The storefront photo was taken in Guadalajara, Mexico. Beyond the clutter of typical-style pottery and items for sale, a child in a high-chair peeks out from behind a shelving unit The chair in front of the child indicates that someone, probably Mom – no doubt also the store-owner- was there a few moments before, feeding him or her. Two dogs and some pigeons scan the floor for leftovers. The room has a courtyard open to the sky, typical of the area, and there are more pigeons up on the window ledge on the back wall. Available, white mat, black frame 23 x 27 inches.
Please visit the trucolors.info website to view the complete creative tribute to Mexico.

True Colors – a creative tribute to Mexico

Saturday, April 28th, 2007

This red bench is one of many on a newly built walkway along the shoreline of Lake Chapala in the small, charming town of San Crystobal De Las Casas. The True Colors photographic series and website is my creative tribute to the colorful landscapes, culture and style of south-central Mexico. One hundred of my favorite photos out of the thousand-plus taken have been selected for the website, developed separately from the main website to highlight the project as one complete and independent Art endeavor.
Using the Paint Shop Pro computer program I’ve isolated a main portion of each shot, then superimposed this colored image on top of a black and white version of the same photo. Altering the photos this way has a powerful effect on our impression of the subject matter. In some cases the true colors intensify so much against the grey tones the scene becomes surreal. The collection can be viewed at http://www.trucolors.info
Credit and many thanks to my husband for encouraging and co-creating the True Colors website, as well as all websites associated with my Artwork.

Pre-Columbian Jaguar Beads

Thursday, February 1st, 2007

1. the tray 2. the beads 3. a picture of the original necklace.

The Pre-Columbian Jaguar Beads are made of Polymer clay, a permanent material once baked, acrylic paints, varnish, tray re-purposed and paper-mached, painted and varnished for durability.

I was drawn immediately to this Pre-Columbian Mayan necklacewith jaguar beads upon seeing a photo of it, and would love to own it. Well, making one is the next best thing! The original necklace of gold jaguar head-shaped beads was made over 500 years ago, discovered in a tomb in Guatemala.

Like much of the pre-historic and tribal art that looks crude or seems like it should be easy to recreate, there is a lot more here than meets the eye. One of the things that’s so enjoyable about a project like this is experiencing the same design dilemmas that the original artist might have encountered.

There is a lot of good design in that simple-looking necklace! I think the goldsmith who created the original might have used a mold because each individual jaguar head-shaped bead needs to be identical, and so do the small round ones in order to string the beads together and obtain the exact uniform semi-circle shape. Mine were individually shaped, less than perfect, and did not fit together well unfortunately. I’ll need to make a mold from one of the more perfect beads in order to replicate this with consistancy.

The jaguar beads are glued onto a useful tray, a recycled film case that was paper mached then painted with acrylic, and it’s as if a moment in time is recaptured, a moment when the original artist had beads on a surface, ready to be strung together. The refurbished tray is varnished, durable and useful. Hand wash gently with damp soapy cloth, and the crevices with a wet paintbrush, dabbing the area softly to absorb excess moisture.