landscapes

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Takkakaw Falls

Saturday, January 12th, 2008

Takkakaw Falls, Yoho Valley, B.C. 830 feet high, said to be the most impressive waterfalls in North America next to Niagara. 12H x 9W inches graphite, watercolors, based on antique Vandyck photos of the Canadian Rockies. Study only, not available

Mt. Assiniboine

Friday, January 11th, 2008

Mt. Assiniboine, about forty miles southwest of Banff, Alberta. 12H x 9W inch watercolor and graphite, study only, not available.
I inherited some charming antique books of hand-colored “Vandyck Photogravures” of Canadian Rocky Mountains scenery as it was at the turn of the twentieth century. The monotone sepia and few other pale colors add such a warmth to the already beautiful scenery in the 1910 photographs, and since I haven’t tried watercolors for years, I thought they would make perfect studies.

Exhibition Opportunity

Tuesday, December 4th, 2007

Galahs in Traffic, Australia. 14H x 11W oil pastels on paper, has 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Flocks of Galahs fly in front of cars… unfortunate fatalities along the highway to the Kangaroo Island ferry, South Australia. The trees illustrated are Norfolk Island Pines.

One of the pieces showcased in the AJAS Fall/Winter Online Gallery.
For Artists interested in juried competitions and online gallery exhibitions, the American Juried Art Salon (AJAS) gives helpful feedback and critique whether your work is accepted or not. For information about their Spring/Summer 2008 competition visit http://www.artjury.com/art.html Artists whose work has been accepted twice in a row receive a website page for one year.

Gold In The Mountains 01

Sunday, November 4th, 2007

Gold In The Mountains 01, finished – 20H x 16W inches acrylics on canvas. Has 28H x 24W inches dark-stained antique frame with gold trim

Started late in 2005, Gold In The Mountains 01 has evolved through many changes to achieve the finished painting above. The first thumbnail shows the painting at a stage where I thought it finished so entered it into Artjury.com’s 2006 Spring/Summer online exhibition. It was accepted, and at the time I liked the larger areas of flat orange-gold, but about six months later I thought the work needed more depth, and the dark branch across the upper portion stood out, so I began a long process of scrubbing off, building back up, scraping and layering paint, repainting, etc. The piece reached a few different stages where it could have been called finished, but I was not entirely pleased, so kept searching. Here are a few stages in the transformation of Gold In The Mountains 01:

Polypore Fungi finished

Thursday, November 1st, 2007

Polypore Fungi finished – 58H x 41W x 1.5D inches, acrylics, modeling paste, plaster on canvas, wrapped sides painted, narrow frame

One of the goals for this painting was to see if a composition could remain balanced with the main subject offset to the right. With Petra’s suggestion there is more contrast, also scrubbed some paint away for more background to show through.
Mushrooms, bacteria, molds, lichen and other non-flowering plants are lesser appreciated life forms that help maintain the healthy life cycles of forests by aiding the decay and conversion of plant and animal matter into nutrient-rich soil.

Firewheels

Saturday, October 13th, 2007

Firewheels 18H x 24W x 2D inches acrylics on canvas, wrapped sides painted with scene extending onto the narrow frame.

Thumnails: masking medium, usually used for watercolor paintings, was applied with a toothpick, first image. After being painted it was rubbed off, revealing abstract scribbles and areas of pure color. A time limit was set for this one to be done by the end of today, something I don’t normally do, but the restrictions ensure that it doesn’t get overworked.Next, Firewheels finished and successful in that I was able to stay away from the desire to perfect everything.

This painting was showcased in The 23rd Texas & Neighbors Regional Art Exhibition, April 26 – May 24, 2008, Irving Arts Center, Irving, TX.

Firewheels work in progress

Friday, October 12th, 2007

Firewheels, 18H x 24W inches acrylics on canvas, started

I started a small painting last night that I’ve been wanting to do since Spring, of Firewheels (Gaillardia). Masses of them come back every Spring in a nearby field.

North Carolina

Monday, October 1st, 2007

Alain and I flew to North Carolina for three days ( a little business trip and I tagged along—he threatened to take my camera with him and I was sure I could not manage without it!) We drove around the eastern countryside between Raleigh and Washington (NC) through old, old towns (it takes a looong time for wooden doors to shred, and a looong time for conditions to be just right for vines to sprout then twirl round and round, entwined and squished between panes of glass!) …old, old farms: tobacco, cotton, peanuts.. and an interesting gas station.

There is a lot of history in NC – fossil, human/settlers and Civil War history. We stayed at Kitty Hawk (first flight – Wright bros.) and walked the shores at various places along the narrow coast of the Outer Banks. We watched the sun rise and dolphins feed – too far away for good photos, even with the telephoto. As soon as the sun rose they swam away.

Along Cape Hatteras, groups of Grackles ate ripe grass seeds, bouncing up and down on the stems, their bodies too heavy for the tall grasses.

On Pony Island a large sand crab tried to buff up and look tough, but it was quite vulnerable there out in the open; all the other crabs scurried into holes but this one stayed, trying to hide in footprints, which offered no protection if we had been birds looking for a hearty meal.

Great fun to watch the behavior for a while. It’s clearly outlined crab-shaped shadow following it everywhere, creating a few graphic photos that are perfect resource material for drawings and paintings but do not stand alone as good photography because it was moving so fast.

Just off the 2 1/2 hr. long ferry at Swan Quarter, and sunset with a short, wide rainbow after a storm that we managed to escape and watch from the better side.

NO OLF – we were curious about this sign in many people’s yards. The following website shows a video describing how the U.S. Navy has purchased over 30,000 acres of land near the eastern North Carolina coast, planning to move their pilot training program from Virginia.

Part of the huge controversy is that over 75 families would be forced to leave their homes, many of them farming that land for generations. The human issues are enough, but the cause and effect on the wildlife and ecology would be drastic and irreparable. Thousands of ducks and large flocks of snow geese that feed in the area annually would no longer have sanctuary. The large birds would also be a danger to the jets.

http://www.youtube.com/watch?v=3XDmC1LD1Kc

A tale of two drawings

Friday, September 21st, 2007

Northern Delights 01, Banff, Alberta, Canada, 14H x 11W graphite, water-wash pencil, oil pastel, colored pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

and

Redbuds 03, Eastern Redbuds blooming on a foggy Spring morning in Coppell, Texas. 14H x 11W oil pastels, graphite, water-wash graphite, colored pencils, eraser on paper

Browsing for pieces to enter in a juried exhibition, I came across two drawings started in March that have a lot in common. Both scenes are low-light situations that were achieved by lots and lots of layering, scraping, redrawing, and using the eraser over pastels for blending as well as erasing. Both are experimental re: oil pastels vs. paintable water-wash graphite pencil.

Dancing With Trees 02 – progress

Monday, September 10th, 2007

Dancing With Trees 02, started August 30th – 48H x 48W acrylics on canvas – progression details are combined into one post. The oil pastel with the same name, posted in March 2007, inspired the painting.

I’ve tried lots of new things with this one – am hoping to keep just the impression of branches. I don’t want too many details. Using washes and glazes to help create the cedar branch texture I’ve dripped water, paint, glazes, and varnish across patches of color, splattered it on with a brush and also painting upside down.