When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Forests

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Hypnoflakes

Thursday, June 22nd, 2017


 

Hypnoflakes, 12 x 12 inches acrylics on canvas
Hypnoflakes, 12 x 12 inches acrylics on canvas, frame unnecessary.

Mt. St. Helen’s Indian Paintbrush

Thursday, April 27th, 2017


 
Mt. St. Helen's Indian Paintbrush, 14 x 20 inches watercolors

Mt. St. Helen’s Indian Paintbrush Washington, 14 x 20 inches watercolors work in progress. The mountain and central areas may need to be darker, but I’m going to set this aside for a few days and come back to it. Lower left detail:

Lower left detail of Mt. St. Helen's Indian Paintbrush

 

Stellar’s Jays

Monday, April 17th, 2017


 

Stellar's Jays, phase 03 work in progress, 18 x 24 inches watercolors on 140 lb. cold press

Work in progress, Stellar’s Jays at Nimkish Lake, Vancouver Island BC, 18 x 24 inches watercolors on 140 lb. cold press. For years I’ve been visualizing a painting that portrays the Stellar’s Jay in various poses, representing general character. My Dad pointed out that Stellar’s Jays don’t usually group this way, which is an accurate view of the broader behaviour that didn’t even occur to me. Interesting! Phase 02 below and detail image – the yellow is masking medium:

Stellar's Jays, work in progress, 18 x 24 inches watercolors on 140 lb. cold press Stellar's Jays, work in progress detail

Normally I don’t outline anything when starting a painting, which works fine with acrylics because it’s easy to change things throughout the process, but watercolors don’t allow for much room for error, especially if you don’t have much practice with them. Wingin’ it usually works for me because I don’t mind failure in exchange for experience, but mapping out the shapes and arrangement lightly in pencil really helps, and confidence is fundamental to painting well.

Diamond Lake – night study

Wednesday, March 15th, 2017


 

Diamond Lake Oregon - moonlight study - 14H x 20W inches watercolor on 140 lb cold pressed

Diamond Lake Oregon – moonlight study – 14H x 20W inches watercolor on 140 lb cold pressed premium. 20H x26W inches approximate size framed.

Kaniksu National Forest

Tuesday, March 7th, 2017


 

Kaniksu National Forest, Idaho - 14 x 20 watercolors

Kaniksu National Forest, Idaho – 14 x 20 inches watercolors on 140 lb cold pressed. 20H x26W inches approximate size framed. Detail images:

  Kaniksu National Forest, upper left detail   Kaniksu National Forest, upper right detail
  Kaniksu National Forest, lower left detail   Kaniksu National Forest, lower right detail

Clearcut, Tillimook OR

Monday, March 6th, 2017


 

Clearcut, Tillimook OR - 18 x 24 inches watercolors on 140 lb cold press

Clearcut, Tillimook OR – 18 x 24 inches watercolors on 140 lb cold pressed. Framed size 27H x 33W with white mat, white wood frame with crackle finish. Detail images:

  Clearcut 01, upper left detail   Clearcut 01, central left detail   Clearcut 01, upper right detail
  Clearcut 01, lower left detail   Clearcut 01, central right detail   Clearcut 01, lower right detail

Clearcut forest, Tillimook OR

Tuesday, February 28th, 2017


 

 Clearcut 01 detail, watercolors Clearcut 01 detail, watercolors

 Clearcut 01 details, watercolors – work in progress details

Mt. Walker Rhododendrons

Friday, February 17th, 2017


 

Mt. Walker, WA Rhododendrons, 15H x 22W inches WC on 140 lb cold pressed premium

Mt. Walker, WA wild Rhododendrons, 15H x 22W inches WC on 140 lb cold pressed premium. Details:

  Mount Walker WA Rhododendrons, central left detail   Mount Walker WA Rhododendrons, central right detail

Cedar Branches Abstract

Wednesday, February 13th, 2013


 

Cedar Branches Abstract, 18H x 24W inches Oil pastels on 100% cotton paper
Cedar Branches Abstract, 18H x 24W inches oil pastels on 100% cotton paper, white mat.

Deciduous Forest

Friday, December 7th, 2012


 

Deciduous Forest, 12 x 16 inches watercolors on paper

Deciduous Forest – Washington State USA – 12H x 16W inches watercolors on paper, sage green mat

Thumbnails below: 1. resist medium applied, dried and first paint application 2. peeling off the dried resist after painting dark hues of sap green 3. stage 02, after peeled off resist medium, before more paint 4. an idea occurred to use the pulled off rubber pieces as 3D effects in future paintings, probably best on canvas.
A while back, I had visitors attending a show of mine peel off the rubberized medium in the same fashion, revealing the flowers on “Flowering Shavingbrush Tree”.

  Deciduous Forest?, 9 x 12 watercolors with dried resist medium - in progress   Deciduous Forest, peeling off the dried resist after dark hues of sap green   Deciduous Forest, after dark hues of sap green and peeled off resist   Idea to optionally attach peeled, rubberized pieces of resist medium as leaves

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