exhibitions
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Saturday, October 13th, 2007
Firewheels 18H x 24W x 2D inches acrylics on canvas, wrapped sides painted with scene extending onto the narrow frame.
Thumnails: masking medium, usually used for watercolor paintings, was applied with a toothpick, first image. After being painted it was rubbed off, revealing abstract scribbles and areas of pure color. A time limit was set for this one to be done by the end of today, something I don’t normally do, but the restrictions ensure that it doesn’t get overworked.Next, Firewheels finished and successful in that I was able to stay away from the desire to perfect everything.
This painting was showcased in The 23rd Texas & Neighbors Regional Art Exhibition, April 26 – May 24, 2008, Irving Arts Center, Irving, TX.
Acceptance
Monday, October 8th, 2007
Competitions, online galleries and juried exhibitions
Three works were accepted into Artjury.com’s 2007 Fall / Winter National Online Juried Exhibition: Galahs in Traffic, Mayan Bowl Chair, and Linden Sunset.
There’s controversy that entering competitions is purely about vanity. For us who need to self-promote, we understand that it’s more about career stability and advancement than the ego. Still the question of ego exists, so a little devil-artist on the shoulder is good to have because we need to stay tuned to our arts’ original meaning and purpose. Evaluation is always in order. For the most part, self-promotion is personal, often uncomfortable, and a very humbling and enlightening experience rather than an egoistic one. We need to search deep for our very best, and stay open to every opinion.
Acceptance by peers means a lot, but accepted or not, honest feedback and interaction with those who also love what they do and know what they’re talking about, or hearing from those who appreciate art and enjoy discussing it, is really beneficial. We encourage each other, and straight-forward critiques go a long way. Any kind of response helps us consider the direction we will take moving forward.
Recognition and validation are helpful because faith in this vocation waxes and wanes. Many of us ask from time to time: What am I doing this for? or: What’s the big deal about Art anyway? We are so closely involved with it as daily work that the personal and the professional are one and the same. Art is our life, and monetary or “ribbon-ary” validation is encouraging! Primarily though, motivation must be self-perpetuated. For work to work, we need to love what we do. No amount or content of external comments affects the genuine drive to create it.
If we haven’t yet captured our big break with gallery representation, it takes a long time to learn the do’s and don’ts, and it’s surprising that there are so many expectations. We need to have confidence to be articulate about our works’ intentions and messages portrayed. Self-promotion, for artists who can’t afford outside management, is the other necessary half of the job and is time-consuming, but vital.
Temporarily it seems distracting, taking precious time away from creating the art in order to write gallery proposals and exhibition entries, but since sharing and selling are the main goals, who knows more about the heart of the art better than the artist? Practice meeting deadlines, and familiarity with managing all the details means we are in control of our destiny as much as possible, helps focus clarity of purpose.
It takes diligence and fortitude to wear all the hats. We need to take advantage of every open door whether it shuts in our face or not, and a few cash awards to supplement sales doesn’t hurt a bit!
City Streets
Friday, October 5th, 2007
Three Photos will be on exhibit and available for sale at the City Streets Exhibition at Studio 333, Sausalito, California October 25 – December 6, 2007
Burnt Offerings 01 – From Burnt Offerings the photographic series consisting of ten images of the devastating results after an explosion that rocked downtown Dallas on July 25, 2007, in an acetylene and propane warehouse. In the distance: the famous Reunion Tower.
Grey Phase – Dallas, Texas. With a history and reputation for competing with Houston to attract visitors to stay in a beautiful, safe, and interesting downtown area, Dallas makes room for new buildings and upgrades existing ones. This photo: Demolition on the corner of Commerce and S. St. Paul Street, across from the infamous Dallas Grand Hotel which has been vacant and in a serious state of disrepair for many years, now planned to also receive extensive renovations.
True Colors 63 – An original photo of one of the digitally manipulated images in the True Colors website series. A cow wanders the streets of San Antonio, Mexico. Nonchalantly meandering through the neighborhood, tether rope dragging on the road beside her, it’s as if this cow has simply left for a short walk and no one, even the owner, ought to worry about her finding her way home.
Growing Up and Looking Back
Wednesday, September 19th, 2007
Lucas at the Museum, 11H x 14W inches graphite on paper, originally posted March 23, 2007 – today notified as part of the exhibition Growing Up and Looking Back – Reflecting on Childhood, Parenting, and Home at Gallery RFD in Swainsboro, GA October 12th – November 3rd, 2007.
See more of the Children Series, graphite illustrations available as cards, matted prints and framed prints.
Sun Shower 03
Thursday, August 23rd, 2007
When I water the flowers in the front yard usually the Oak tree gets a shower too. There were a number of impressive photos from this session, but the clump of leaves in shadow contrasting with the bright sunbeams in spray brings this photo a little above the rest.
Sun Shower 03 was accepted into Studio 2600’s Holiday Light and Sparkle Exhibition at 2600 Hibernia, Dallas TX November 2007 through Jan. 2nd, 2008.
Adam
Thursday, June 7th, 2007
Adam, 11 x 14 inches graphite on paper
Post-dated note: Adam , Merit Award winner, cash prize at the VAST 19th Annual Juried Exhibition held in Denton, Texas July 29 – August 23, 2007
True Colors photo – exhibition acceptance
Saturday, June 2nd, 2007
One of the photographs from the series True Colors is accepted into the exhibition Visual Rhythms / Ritmos Visuales, an all-media juried exhibition that embraces the flavors and rhythms of Latin American influenced art and cultures] at the Target Gallery in Alexandria, Virginia, scheduled July 28 – September 3, 2007.
The storefront photo was taken in Guadalajara, Mexico. Beyond the clutter of typical-style pottery and items for sale, a child in a high-chair peeks out from behind a shelving unit The chair in front of the child indicates that someone, probably Mom – no doubt also the store-owner- was there a few moments before, feeding him or her. Two dogs and some pigeons scan the floor for leftovers. The room has a courtyard open to the sky, typical of the area, and there are more pigeons up on the window ledge on the back wall. Available, white mat, black frame 23 x 27 inches.
Please visit the trucolors.info website to view the complete creative tribute to Mexico.
Lucas at the Museum
Wednesday, May 23rd, 2007
Lucas at the Museum, 11 x 14 pencil and eraser drawing on paper
Post-dated note: Lucas at the Museum is part of the Growing Up and Looking Back Exhibition: Reflecting on Childhood, Parenting, and Home in Swainsboro, GA October 13 – November 3, 2007
Crescent Moon – Phenomenon 01
Thursday, October 26th, 2006
Phenomenon 01 – Crescent Moon, sunset this evening
Post-dated note: Phenomenon 01 placed in Grand Prairie Arts Council Open Juried Art Show and Sale Texas, September/October, 2007.
Moon Over Cypress
Wednesday, September 27th, 2006
Moon Over Cypress, 14H x 11W inches oil pastels on paper, framed with 3-inch white double mat and 26H x 22W inches white wood frame with crackle finish.
This turned out differently than what I originally envisioned — it’s much better because the paper shows through like stars and reminds me of time lapse photography. It is a rare piece in this series that came together quickly and will not be reworked.
Post dated note: accepted into Studio 2600’s Holiday Light and Sparkle Exhibition Nov. 2007-Jan. 2008. Now sold.