When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Dancing With Trees Collection

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Dancing With Trees 02

Tuesday, October 9th, 2007


 

Dancing With Trees 02, 48H x 48W x 1D inches acrylics, matt and semi-gloss glaze medium, and semi-gloss varnish on canvas, trim frame
Dancing With Trees 02, 48H x 48W x 1D inches acrylics, matt and semi-gloss glaze medium, and semi-gloss varnish on canvas, scene continues onto trim frame. Detail images below.
Layers of glaze washes used in final stages: Hansa yellow light, Phthalo blue, Phthalo green, Permanent green, Thio violet, Mars black, Cadmium red light, Dioxazine violet.
This piece is an example of work that does not reflect the original vision but is turning into something much more interesting. To help enhance the character of cedar branches I’ve dripped water, paint, glazes, and varnish across patches of color, splattered it on with a brush and also painted it turned upside down. This left sheen and textures not captured in photos; best seen in person.
Dancing With Trees 02, started August 30th – several progression details posted on different dates are combined in this post. The oil pastel with the same name, first version, posted in March 2007, inspired the painting.


 

  Dancing With Trees started Aug.30, 2007   Dancing With Trees in progress: Sept. 4   Dancing With Trees - Sept. 6
  Dancing With Trees - Sept. 10 details   Dancing With Trees - early details using drips   Dripping varnish, and painted upside down

 

  

  

 

Dancing With Trees 02 work in progress

Monday, September 17th, 2007


 

48H x 48W x 1D inches acrylics on canvas
Dancing With Trees 02, 48H x 48W x 1D inches acrylics on canvas. Layers of glaze used in final stages: Hansa yellow light, Pthalo blue, Pthalo green, Permanent green, thio violet, Mars black, Cadmium red light, Dioxazine violet

March Winds

Thursday, March 15th, 2007


 

March Winds, Coppell, Texas, 14H x 11W inches oil pastels on paper, ode to Jackson Pollock via oil pastels.

March Winds, ode to Jackson Pollock via oil pastels. 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

“… the painting has a life of its own. My mission is to bring forth this life”.        Jackson Pollock

Styles are an intuitive response to place, emotional memories, subject, media, etc. When March Winds was finished it reminded me of some of Jackson Pollock’s work, which I never really understood until this piece unfolded in a similar manner.

Showcased in Grand Prairie Arts Council (GPAC) Open Juried Art Show and Sale September/October, 2007. Grand Prairie Memorial Library 901 Conover Drive, Grand Prairie, Texas.

Sun Shower 01

Friday, December 1st, 2006


 

Sun Shower>
Sun Shower 01, 85H x 45W x 2D inches acrylics on canvas, used watercolors resist medium, narrow dark wood frame. (now sold)
This painting went through an interesting work process, made connections with some of my existing painting methods, and shed light on new ones.

Sun Shower detail - masking medium was dotted on with a toothpick wherever raindrops would be. Sun Shower, about five hours of work. Sun Shower after about five hours of work. Sun Shower after about7 days.

1) Sun Shower detail – masking medium, usually used with watercolors to keep areas white, was dotted with a toothpick all over where raindrops would be.  2) about 1.5 hours after starting.  3) after about 5 hours of work. 4) after about seven days.

The tall Ponderosa Pine is in our oldest son’s front yard in Ottawa, Ontario. A small covered balcony overlooks the yard and the tree dominates, providing lots of shade there. Last summer while sitting on the balcony, as it poured rain the sun kept shining. The street beyond sparkled, and branches were heavy with raindrops. It was an hour of incredible beauty that inspired this painting.

Wild Canada: Stony Swamp Trail

Tuesday, August 1st, 2006


 

Stony Swamp Trail, Ottawa, Ontario Canada - 14 x 11 inches oil pastels on paper

Stony Swamp Trail, Ottawa, Ontario Canada, Paper Places series, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. The series inspired the accompanying poem:

It remains
when things are gone
and people passed
and roads
and paths
and places
we belong
to the essence.

Intuitive response to subject matter impart individual character to each piece, so styles are deliberately different.
Post-dated note: Stony Swamp Trail was accepted for The Artist Showplace Gallery’s Annual Juried Exhibition, February – March 2007.

Coconut Palm, Costa Rica

Sunday, July 23rd, 2006


 

Coconut Palm, Costa Rica, 14H x 11W inches oil pastels, white double mat, brass title plate, 22H x 26W inches wide white frame with white crackle finish
Coconut Palm, Costa Rica, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Calgary in September

Thursday, May 18th, 2006


 

Calgary In September 14 x 11 inches oil pastels on paper, framed size 26 x 22 inches
Calgary in September, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. Part of the Paper Places series.

Post-dated note: Won Second Place in the Paintings category in Plano Art Association’s annual One-Two-Five Show Exhibition in Plano, Texas April 11 – May 8, 2007. I think of pastels to be drawings because no brush is involved, but they are commonly categorized in competitions as paintings…heck, if it wins a prize, does it really matter?

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