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Sunday, November 4th, 2007
Gold In The Mountains 01, finished – 20H x 16W inches acrylics on canvas. Has 28H x 24W inches dark-stained antique frame with gold trim
Started late in 2005, Gold In The Mountains 01 has evolved through many changes to achieve the finished painting above. The first thumbnail shows the painting at a stage where I thought it finished so entered it into Artjury.com’s 2006 Spring/Summer online exhibition. It was accepted, and at the time I liked the larger areas of flat orange-gold, but about six months later I thought the work needed more depth, and the dark branch across the upper portion stood out, so I began a long process of scrubbing off, building back up, scraping and layering paint, repainting, etc. The piece reached a few different stages where it could have been called finished, but I was not entirely pleased, so kept searching. Here are a few stages in the transformation of Gold In The Mountains 01:
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Polypore Fungi finished
Thursday, November 1st, 2007
Polypore Fungi finished – 58H x 41W x 1.5D inches, acrylics, modeling paste, plaster on canvas, wrapped sides painted, narrow frame
One of the goals for this painting was to see if a composition could remain balanced with the main subject offset to the right. With Petra’s suggestion there is more contrast, also scrubbed some paint away for more background to show through.
Mushrooms, bacteria, molds, lichen and other non-flowering plants are lesser appreciated life forms that help maintain the healthy life cycles of forests by aiding the decay and conversion of plant and animal matter into nutrient-rich soil.
Polypore Fungi, work in progress
Monday, October 22nd, 2007
Polypore Fungi, 59H x 41W x 2D, acrylics on canvas, work in progress. Started in June, hung and studied in the loose-phase state; cautious about overworking it. Plans this week: most everything will stay out of focus, with details only on the fungi using a little modeling paste to sculpt. Modeling paste is applied in layers, drying in between, becoming permanent and adhered well to the canvas. Applying too thick at once creates cracks and unstable structures.
A tale of two drawings
Friday, September 21st, 2007
Northern Delights 01, Banff, Alberta, Canada, 14H x 11W graphite, water-wash pencil, oil pastel, colored pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
and
Redbuds 03, Eastern Redbuds blooming on a foggy Spring morning in Coppell, Texas. 14H x 11W oil pastels, graphite, water-wash graphite, colored pencils, eraser on paper
Browsing for pieces to enter in a juried exhibition, I came across two drawings started in March that have a lot in common. Both scenes are low-light situations that were achieved by lots and lots of layering, scraping, redrawing, and using the eraser over pastels for blending as well as erasing. Both are experimental re: oil pastels vs. paintable water-wash graphite pencil.
Rude Awakening
Tuesday, August 28th, 2007
Three quaint old apartment buildings in the Strathcona District on Whyte Avenue in Edmonton, Alberta were demolished to make way for a large condominium complex — a shame, considering all the new windows that were just replaced a few years ago. To remove them beforehand would not be financially viable for the new builder, but it’s not the way things are done in oil-rich Alberta these days. Everything: fridges, furnaces… someone’s home the week before — smashed and crushed within 36 hours.
Individuals would gladly use these second-hand materials, even volunteer to take them out. China would kill for that wood. The trip to Mexico is still fresh in my mind, and of how they utilize everything, even wire frames of old mattresses as fence material. This destruction was wasteful, almost painful.
On the other hand, it was very interesting to watch! It’s these sorts of extremes that conjure up perplexing conflicting emotions, and all the travel this year leaves me with so much revitalized energy to draw upon for a long time. I haven’t been painting, but these kinds of experiences are where all worthwhile art originates.
Summer Storms
Wednesday, August 22nd, 2007
Evening storm clouds accumulating at about 5:30 p.pm. mid July in Stony Plain, Alberta
Sky appears to be falling, Airdrie Alberta, July 2007
Train and storm, Montana in July
Damselflies
Saturday, August 11th, 2007
… just returned from Alberta, where this summer’s hot temperatures have maintained high numbers of dragonflies and damselflies. These ones will have offspring born in Airdrie, just outside of Calgary.
Raccoons
Thursday, July 5th, 2007
Bold and as curious about us, a family of five raccoons played in a willow tree in our son Adrian’s back yard, Ottawa, Ontario
Maple leaves, Kingston, Ontario
Tuesday, July 3rd, 2007
…back after two weeks of driving from Texas to Ontario and back the long route this time through North Carolina just so we could see it, and thanks to the invention of the digital camera my daily image requirements remain satisfied! Maple trees are common almost everywhere between Texas and Canada, here are some branches in honor of Canada Day, held on July 1st. This shot was taken at Jones Falls Dam near Kingston, Ontario.
Aspen, Banff National Park
Thursday, March 22nd, 2007
“Northern Delights 01, Aspen at a protected Bison reserve, Banff National Park, Alberta Canada – 14H x 11W inches oil pastels and water-wash pencils on paper, white double mat, 22H x 26W inches white frame with white crackle finish