When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

abstract/impressionist

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Lake Cote Cloud Forest Reserve, Costa Rica

Sunday, May 21st, 2006


 

Lake Cote Forest Reserve, Costa Rica, 14H x 11W inches oil pastels on paper
Lake Cote Cloud Forest Reserve, Costa Rica, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This is a perfect example of how each piece in the Paper Places series for unique style. I follow intuitively responding to what happens on the page as the work unfolds.

Texas Paintbrush

Saturday, May 6th, 2006


 
Texas Paintbrush, Fort Worth, Texas 14H x 11W inches oil pastels on paper
Texas Paintbrush, Fort Worth, Texas, 14H x 11W inches oil pastels on paper, framed with 3 inch white double mat and white wood frame with crackle finish, total size 26H x 22W inches. Impressionistic style using soft, blended technique with the pastels, portrays the feeling of walking in a dry sandy field on a warm Spring day in northern Texas. Sold.

Arkansas July 6:45 a.m.

Tuesday, April 18th, 2006


 
Hwy 30 through Arkansas, July 6:25 a.m., 14H x 11W inches oil pastels on paper, sold

Hwy 30 through Arkansas, July 6:45 a.m.,14H x 11W inches oil pastels on paper, Paper Places series, 3-inch-wide white double mat, 26H x 22W inch white custom wood frame with crackle finish, sold.
Driving back to Texas on our annual 2 1/2 day trip to eastern Ontario, I enjoy being on the road before sunrise. On lengthy journeys it’s best to take advantage of every splendor along the way, then the trip doesn’t seem to take so long.

Eucalyptus Tree

Sunday, April 16th, 2006


 
Eucalyptus Tree, Queensland, Australia 14 x 11 inches oil pastels on paper
Eucalyptus Tree, Queen Mary’s Falls, Queensland, Australia, 14H x 11W inches oil pastels on paper, Paper Places series. 3 inch wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Post-dated note: This drawing earned a spot in American Art Jury’s 2007 Spring/Summer online exhibition and gallery http://www.artjury.com

Galahs in Traffic, reworked

Friday, April 14th, 2006


 

Galahs in Traffic - flocks of Galahs fly in front of cars, many laying dead beside the road to the Kangaroo Island ferry, South Australia
Galahs in Traffic, 14H x 11W inches oil pastels on paper, has 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Flocks of Galahs fly head on into cars on the highway while driving to the Kangaroo Island ferry, South Australia. A tragic phenomenon – many lay dead on the side of the road, for miles. This is a busy highway, and next to stopping, it was almost impossible to miss them.
This started out to be a drawing of the Norfolk Island Pines growing in the south-central coastal regions of Australia. It’s not unusual for me to completely re-work oil pastel drawings after a day or two of work, when they could be called finished. Sometimes after a period of study, radical changes are in order, as in this case. After two days of work, while recalling the horrifying scene that day, it was clear that the style in the first stage of the drawing was stagnant and ordinary. Adding the blurry, in-your-face Galah is much more effective. See the first version here.

Post-dated note in 2007: Galahs in Traffic placed in Artjury.com’s 2007 Fall/Winter Juried Online Exhibition.

Post-dated note, 2022: Accepted in the J. Mane Gallery’s Fins, Feathers and Fur 2020 exhibition.

Galahs in Traffic, version 1

Wednesday, April 12th, 2006


 
Flock of Galahs, first stop
Galahs in Traffic, version 1 – this drawing started out to be a portrait of the Norfolk Island Pines growing in this coastal area of South Australia. Many of the oil pastel pieces in the Paper Places series have a first stage at the end of a day or two worth of work where it could be called finished, then after studying for a few days, months or even years, if it’s not dynamic enough it may need to be changed.
This is an area unlike any other, where flocks of Galahs flew directly into the traffic on the main highway leading to the Kangaroo Island ferry. Dead Galahs lay along the side of the road for miles. After two days of work and recalling the horrifying feelings of seeing all those dead birds, it’s clear that the drawing as it is in the stage above, is stagnant and kind of ordinary even though it could be called finished. The style needs reworking because of the subject matter and what takes place there every day.

Bluebonnets – Four Abstracts

Thursday, March 23rd, 2006


 

 Bluebonnets Abstract 01, 3 x 4 inches oil pastels on paper  Bluebonnets Abstract 02, 3 x 4 inches oil pastels on paper

 Bluebonnets Abstract 03, 3 x 4 inches oil pastels on paper  Bluebonnets Abstract 04, 3 x 4 inches oil pastels on paper

Bluebonnets Abstracts, set of four 3 x 4 inches oil pastels studies on paper.

These studies are based on Springtime scenery along Beltline Road in Irving, Texas three years ago. The amazing fields of Bluebonnets are now replaced by a major housing and commercial development. I can say, ‘I was there when…’.

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