When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

drawings

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Brooke

Friday, July 12th, 2019


 
Brooke, 11 x 14 inches graphite on paper

Brooke, 11 x 14 inches graphite on paper

Lilies at Butchart Gardens, BC

Sunday, August 5th, 2018


 

Lilies, 18H x 24W inches graphite on 140 lb cold pressed premium

Lilies at the Butchart Gardens, Victoria BC, 18H x 24W inches graphite on 140 lb cold pressed premium. Detail image:
 

Lilies center right detail

New Zealand sketches

Monday, January 1st, 2018


 

Pukeko or also Australasian Swamp Hen, 4H x 6W inches WC pencils


Agapanthus, near Ambury Regional Park, Mangere, New Zealand, 4H x 6W inches WC pencils

Agapanthus near Ambury Regional Park, Mangere, New Zealand, 4H x 6W inches quick sketch with WC pencils


Sheep, Mangere park New Zealand, 4H x 6W inches WC pencils

Sheep, Mangere park New Zealand, 4H x 6W inches quick sketch with WC pencils


Honey Eater on wild flax, New Zealand, 4H x 6W inches WC pencils

 

Hannah

Thursday, June 1st, 2017


 
Hannah, 11 x 14 inches graphite on paper

Hannah, 11 x 14 inches graphite on paper. This was a special commission for a good friend. I no longer offer to do portraits – pets, absolutely – but while I love drawing people, the work and long periods of in-between study I require take too long to warrant what I’d need to charge. There are other artists who specialize in only portraits and do nothing else.

Hannah portrait: scribbles outlined lightly. Some are erased but some are left, creating a bit of life in the drawing. Hannah portrait: scribbles outlined lightly. Some are erased but some are left, creating a bit of life in the drawing.

The photo was a very small file, only 500 pixels wide, plus the feet were not in the frame, so initially I thought it impossible to work from, but started anyway. All works on paper begin with taped edges, leaving an inch of border which helps when it comes to framing, especially if composition is off a bit. I scribble in the main shapes lightly, gradually building up areas with lines and then shading as confidence grows. As marks, once placed, are difficult to erase, the face details are drawn in more gradually than the rest of the composition.

As marks, once placed, are difficult to erase, the face details are drawn in more gradually than the rest of the composition.I remember that my friend used to call her grand-daughter Hannah Banana, so I snuck some banana shapes onto the blanket  – that will be a surprise for her when she sees this. I smudge the graphite and use erasers quite a bit, a good technique for subtler details like the background and blanket pattern.  Eraser sticks, 2 different sizes, are perfect because they are held and used like a pencil.

Hydrangea

Tuesday, August 6th, 2013


 

Blue Hydrangea, 18 x 24 inches graphite on 80 lb premium

Blue Hydrangea, 18H x 24W inches graphite on 80 lb premium, white mat

Blue Flag Iris

Tuesday, July 30th, 2013


 

Blue Flag Iris, 24H x 18W inches graphite on paper

Blue Flag Iris, 24H x 18W inches graphite on paper, white mat

Gladiolas

Tuesday, July 2nd, 2013


 

Gladiolas, 24H x 18W inches graphite on paper, white mat

Gladiolas, 24H x 18W inches graphite on paper, white mat

Stars in the Sweetgum

Thursday, June 28th, 2012


 
Stars in the Sweetgum, 9 x 12 inches charcoal and colored pencils on paper
Stars in the Sweetgum, 12H x 9W inches charcoal and colored pencils on paper, preliminary study for a larger painting of the Sweetgum tree in our side yard.
Portraying darkness is an excellent way to study color. Inspired by travels on clear nights when speeding by tree silhouettes, there’s an illusion that horizon is absent, and the stars are in the trees. I often marvel how dark skies can still be so colorful, ranging from rich teals, purples, sometimes shades of red and orange.

 

Chrysanthemums

Tuesday, June 26th, 2012


 

Chrysanthemums, 85L x 45W x 3D inches, graphite, charcoal and dry pastels and primer on 100% cotton, fixative

Chrysanthemums, 85W x 45H 3D inches graphite, charcoal, soft pastels, fixative with primer used as paint on white 100% cotton. Grey narrow frame. This is a beautiful painting, impressive because of its size and the expressionistic style of the flowers. The small photo doesn’t do it justice, so some detail images are provided below. It’s hanging in our family room on a grey wall beside the Chrysanthemums Chair. They do look great together!

Detail images: Chrysanthemums, central right detail   Chrysanthemums, central left detail   Chrysanthemums, upper right detail
  Chrysanthemums, central detail   Chrysanthemums, left detail   Chrysanthemums, right detail

The insight of a nine-year-old

Monday, June 25th, 2012


 

“It does not matter how much you see, it matters if you appreciate what you see”

Fintan Fox, 9 yrs old. Below, an angel fish drawn after snorkeling in Figi

Fintan Fox, Angel Fish, pencil crayon on paperI recently had the pleasure of conversations with nine year old Fintan Fox, the son of a good friend whom I had not seen for over 35 years. My friend Julie and her son, Fintan, both created blogs about their extensive travels beginning in England where they live, to Russia last August, then through China, Thailand, Cambodia, to Australia, Figi, and now through western North America. They are on the last leg of their year-long trip around the world, stopping to visit us in Oregon on their way to Canada.
This drawing is one of Fintan’s blog entries, an Angel fish drawn after seeing some while snorkeling in Figi. So impressive! With a minimum of information, the style is bold and confident… simple, yet accurate. Similarly, he writes with matter-of-fact wisdom, and surprisingly well-thought-through opinions. Wow, nine year-olds can be great sources of inspiration.

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